Driver M Audio Profire 2626 Mac
De M-Audio Profire-2626 brengt de volgende generatie firewire interface nu binnen handbereik van vele muzikanten. Deze krachtige interface geeft simultaan 26 x 26 I/O, compleet met een onboard DPS mixer. Elke audio connectie is mogelijk.
Natuurlijk heeft de Profire-2626 de award-winning Octane microfoon voorversterkers op alle 8 analoge ingangen! Aansluitingen voor ADAT, S/PDIF, word clock en MIDI zitten allemaal op de Profire-2626. Met de JetPLL jitter elimineer technologie zorgt de Profire-2626 voor een hoogwaardige audio kwaliteit en synchronisatie tot aan 24-bit/192kHz resolutie. Met een simpele firewire aansluiting, extreem lage latency, dubbele hoofdtelefoonaansluiting, instrument inputs op de voorzijde en Pro Tools M-Powered compatible * ben je geheel klaar voor de toekomst.
Includes Award-winning Octane Preamp Technology The quality of your preamps is critical to how your music sounds. Embraced by reviewers and audio professionals alike, M-Audio set a new standard with the 8-channel Octane™ preamp.
Sep 30, 2014 drivers and compatibility to MAC. Maverick not compatible with M-AUDIO PROFIRE.
The ProFire 2626 delivers the same award-winning Octane technology with its eight onboard mic preamps, giving you pristine audio fidelity right from the start of your signal path. In addition to exceptional sound, each preamp has a generous 75dB gain range, 48V phantom power, and a -20dB pad.
User-assignable Master Volume Control The ProFire 2626 interface delivers a new level of flexible control via the customizable master volume knob. It’s assignable to any or all of the four analog output pairs, so you can choose which output pair will feed your main monitors. You can also choose whether the master volume knob influences either or both of the two headphone outputs, or operates independently of them. In addition, you can assign the master level control to all four output pairs to uniformly attenuate up to a 7.1 surround mix.
High-definition 192kHz Sound and Solid Performance The ProFire 2626 employs high-quality converters to deliver sampling rates up to 192kHz for pristine, high-definition sound quality. The unit also features critically acclaimed JetPLL technology to provide extremely stable synchronization and eliminate jitter that can degrade audio quality. In addition, the ProFire 2626 allows master or slave operation via internal clock, ADAT optical, S/PDIF and word clock. M-Audio’s mature, stable drivers deliver solid performance and ultra-low latency. Complete with Octane preamp technology and premium A/D-D/A converters, you won’t find a better sounding or more flexible host-based audio interface. Pro Tools M-Powered Compatible The ProFire 2626 is an extremely powerful interface for Pro Tools M-Powered. Flexible I/O, top-quality sound and low latency round out an incredible recording environment that is file-compatible with many other pro and project studios around the world.* **Compatible with Pro Tools M-Powered 7.4 with downloadable update.
Please visit m-audio.com for update availability. 96kHz and 18 x 18 I/O maximum with Pro Tools M-Powered. Onboard DSP Mixer and Router Customize your setup and record the way you want thanks to the power and flexibility of the ProFire 2626 onboard DSP mixer and router. Use the router to select from up to 52 audio streams and send them to any of the 26 hardware outputs.* The adaptable onboard DSP mixer allows you to select from any of the 26 hardware inputs and 26 software returns as sources for any of its 18 input channels—allowing you to create up to eight stereo mixes. You can also create presets and instantly recall these setups at a later date.
*Routing in stereo pairs. Standalone operation The ProFire 2626 doubles as a standalone 8-channel preamp, 8-channel A/D-D/A converter and digital format converter.
In standalone mode, the eight analog inputs route to the first eight ADAT optical output channels. This facilitates use of the line, instrument and mic ins—including the preamps—with other digital gear. Similarly, the first eight ADAT optical input channels feed the eight analog outputs to provide D/A functionality. You can also disable the D/A conversion to allow the analog input channels to route to both the analog and ADAT optical outputs—transforming the ProFire 2626 into a standalone 8-channel mic pre with eight discrete analog outputs plus 8-channel ADAT output.
When the second optical port is not used for A/D conversion, the ProFire 2626 can also convert coaxial S/PDIF to optical S/PDIF. Professional Connectivity for the Most Demanding Projects The ProFire 2626 features essential connectivity for any studio, delivering rock-solid stability and optimal sound quality. Analog inputs are sourced from the eight combo jacks as either XLR mic or ¼” TRS balanced line inputs.
In addition, analog channels 1 and 2 provide easily accessible ¼” TS instrument jacks on the front panel. Eight ¼” TRS connectors provide balanced line outputs for monitoring and interfacing with other outboard gear. Digital I/O is available via 2 x 2 S/PDIF and 16 x 16 ADAT Lightpipe.
The two front-panel headphone jacks feature separate sources and independent level controls for additional cue mixing flexibility.
Building on a legacy of award-winning FireWire audio interfaces, the M-Audio ProFire 2626 brings next-generation performance to your PC or Mac host-based recording system. This powerful rackmount interface delivers 26x26 simultaneous I/O, complete with an onboard DSP mixer sourced from up to 52 audio streams. It features every kind of connection you need, including the award-winning Octane preamp technology on all 8 analog inputs, ADAT, S/PDIF, word clock and MIDI. Critically acclaimed JetPLL jitter elimination technology ensures pristine audio quality and reliable synchronization all the way up to high-definition 24-bit/192kHz resolution.
In addition, the ProFire 2626 Audio Interface offers easy FireWire connectivity, extremely low latency, dual headphone outputs, front-panel 1/4' instrument inputs, and standalone operation. It is compatible with most major audio software, including Pro Tools M-Powered 7.4 (with downloadable update) which would boost you to 96kHz and a 18x18 I/O maximum. Visit the M-Audio website for update availability. M-Audio ProFire 2626 Hello, I thought I should voice my opinion on this really good piece of hardware. I have used a lot of Audio Interfaces, ranging from PreSonus, RME and even Digidesign, but the.
Hello, I thought I should voice my opinion on this really good piece of hardware. I have used a lot of Audio Interfaces, ranging from PreSonus, RME and even Digidesign, but the ProFire really does beat them all.
Why does it, your wondering? Firstly, the built in Octane pre-amps are so clean and clear, and they do not give out any unwanted noises or hissing you can get from other Audio Interfaces. Also you don't have to crank the volume up to the full, to get a loud sound. What I really like about it, is that it has a -20db pad, so if your recording really loud things like a guitar cab, use the -20db pad and it sounds perfect. To make it even better, it can do up to 7.1 surround sound, from the eight inputs on the back.
It has two headphone inputs which is very handy when recording, and it has two separate phantom power buttons on inputs 1-4 and 5-8. That can be very good for the use of different microphones at one time. (Condensers & Ribbons).
It also has two jack instrument inputs on the front (which give a much better sound), so you don't need to connect them to the XLR inputs on the back. Also it has 2 LED lights to indicate Clip and another if the signal is being received. It has two firewire connections which is absolutely great and much, much better than USB. So you can hook up two 2626's together and have 52 separate inputs of audio! It also comes with some I/O; MIDI, S/PDIF, Wordclock, AD/DA. Also what could be better, when its compatible with the industry standard DAW; Pro Tools!
Another really great thing is that it can do 18 simultaneous tracks at 96Khz, or a few tracks at 192 Khz! The AD/DA converters are absolutely brilliant, and definitely beat any other Audio Interface for it. It also comes with an online DSP mixer, which is so good! The mixer itself is really good and you can control your monitors from it as well. The routing on it is very easy to do and works very well. I've used it for recording, and my drum tracks sound awesome, so do guitar, bass and vocals!
It is definitely great if your recording a band! I did have a little trouble setting up the DSP mixer, but the M-Audio customer helpline were very, very good and got me through it without any hassle. Things you must remember about the Profire is that, turn it on FIRST before your computer and monitors, otherwise it could harm the Profire. There really isn't any bad things I can say about the Profire. It is really an amazing piece of gear, and would be very good for any studio. A couple more 'features' to consider.
Here are a couple more 'features' I forgot to mention in my previous review of the M-Audio 2626: First is the headphones. As another reviewer noted, the output volume of these. Here are a couple more 'features' I forgot to mention in my previous review of the M-Audio 2626: First is the headphones. As another reviewer noted, the output volume of these headphone jacks is surprisingly low.
I have pretty good hearing, and I do not listen 'loud' when I use headphones. But these headphone monitors required me to turn up the dials to about '9' (out of 10) so as to get a full sound.
We are not talking about a loud sound, just a full one. That means that there is almost no 'headroom' left over. Now, on this same topic of 'monitoring', here's another point: the M-Audio marketing literature talks about something like '8 stereo monitoring mixes', doesn't it? Here's the real scoop: there are 7 sends on each channel, and each send is in stereo, and then there's the main mix, so that effectively makes 8 stereo monitor mixes. But then you must 'route' those mixes to real-life 1/4 inch hardware output jacks on the unit.
Again, this must be done in stereo. The unit has 8 output jacks, but since each monitor mix must be in stereo, that means that you actually only have 4 PAIRS of monitor outputs. So, the bottom line is this: you can have 8 monitor mixes which exist INSIDE THE UNIT, but you can only get 4 of them OUTSIDE OF THE BOX at the same time. Of course you can switch which 4 will be heard, but you can only get 4, not 8. 'mabye' there's a way to route those additional 4 stereo monitor mixes into the LIGHT PIPE OUTPUTS, so that if you have some kind of light-pipe receiving unit which then has it's own 4 pairs of outputs. Then I guess you might be able to get 8 simultaneous stereo mixes.
But I don't know how to do that (I just made it up, really), and the manual said nothing of the sort. And again, note that (apparently) you can NOT have mono monitor mixes. If you could, then you would indeed be able to route your internal mix to the 8 separate 1/4 outputs. Also, please note: each of the outputs is a 1/4 inch balanced mono output; they are not unbalanced stereo outputs. Now, having the ability to have 4 stereo monitor mixes simultaneously is very nice, still (even if it's not 8), but there is one more thing. You can not plug your headphones directly into those 1/4 inch balanced output jacks. That means that (assuming you are using headphones to do your monitoring), you'll need to feed each of the 4 pairs of outputs to its OWN headphone amplifier input channel, and then plug your actual headphones into that headphone amplifier channel.
So, you'll need to have that separate piece of equipment. Again, these are not end-of-the-world problems, but they warrant bringing up. Comments about M-Audio ProFire 2626: Hello, I thought I should voice my opinion on this really good piece of hardware. I have used a lot of Audio Interfaces, ranging from PreSonus, RME and even Digidesign, but the ProFire really does beat them all. Why does it, your wondering? Firstly, the built in Octane pre-amps are so clean and clear, and they do not give out any unwanted noises or hissing you can get from other Audio Interfaces.
Also you don't have to crank the volume up to the full, to get a loud sound. What I really like about it, is that it has a -20db pad, so if your recording really loud things like a guitar cab, use the -20db pad and it sounds perfect. To make it even better, it can do up to 7.1 surround sound, from the eight inputs on the back.
It has two headphone inputs which is very handy when recording, and it has two separate phantom power buttons on inputs 1-4 and 5-8. That can be very good for the use of different microphones at one time. (Condensers & Ribbons).
It also has two jack instrument inputs on the front (which give a much better sound), so you don't need to connect them to the XLR inputs on the back. Also it has 2 LED lights to indicate Clip and another if the signal is being received. It has two firewire connections which is absolutely great and much, much better than USB. So you can hook up two 2626's together and have 52 separate inputs of audio! It also comes with some I/O; MIDI, S/PDIF, Wordclock, AD/DA. Also what could be better, when its compatible with the industry standard DAW; Pro Tools!
Another really great thing is that it can do 18 simultaneous tracks at 96Khz, or a few tracks at 192 Khz! The AD/DA converters are absolutely brilliant, and definitely beat any other Audio Interface for it. It also comes with an online DSP mixer, which is so good!
Mere Sapno Ki Rani Old Mp3 Song Free Download. The mixer itself is really good and you can control your monitors from it as well. The routing on it is very easy to do and works very well. I've used it for recording, and my drum tracks sound awesome, so do guitar, bass and vocals! It is definitely great if your recording a band! I did have a little trouble setting up the DSP mixer, but the M-Audio customer helpline were very, very good and got me through it without any hassle. Things you must remember about the Profire is that, turn it on FIRST before your computer and monitors, otherwise it could harm the Profire.
There really isn't any bad things I can say about the Profire. It is really an amazing piece of gear, and would be very good for any studio. Comments about M-Audio ProFire 2626: There are far better systems out there, but this is one of the cheapest ways to get into a Pro Tools system.
So far I have had no problems using this interface at my church, even recording 18 simultaneous tracks at 24 bit 96 KHz. The only problem I have had is the required CS update required for Pro Tools M-Powered 7.4 to recognize it. But this can be found for free at Digidesign�ۡ���s website. It should be noted that this is the only Pro Tools LE/M-Powered interface (as of now) that can take 18 simultaneous 96 Khz I/O. Making the Profire2626 the closest thing to a HD system that you will get without spending a lot of money. Comments about M-Audio ProFire 2626: I've now recorded a number of tunes with this thing.
Drivers install fine(go to M-Audio's Website to get the most current, which can also be updated from the control panel), the unit is stable, 8 preamps help with certain situations althought they're not the greatest in comparison with some of the other pres I have, but they're usable for under snare and stuff like that. The 2 adat ports are a nice feature to have so your not stuck with just 8 optical ports but rather 16, then you add spidf which give you another 2 inputs as well as wordclock in/out. That's really when this unit comes alive. I have mine clocked to a Stereo96 Mytek converter unit which has a darn stable clock and it sounds great this way. All in all, it's a great unit if you're doing a full album for someone and multi-track a lot like I do. While still the thing I do most is vocals, every other feature this thing packs is usable and not just something extra that goes to waste and you'll never use.
Comments about M-Audio ProFire 2626: If any of you out there are thinking about getting a firepod or firestudio or any of the presonus entry level interfaces, dont. Save up the extra 3 or 4 hundred and get this. The octane pres are clean and quiet. Also if you want to get into a pro tools DAW this is one of the only interfaces that can do it in this price range. I run a focusrite trakmaster and presonus studiochannel into this and they sound amazing, even the built in pres hold their own when using both the other pres while tracking drums. This is one hell of a buy. Comments about M-Audio ProFire 2626: Here are a couple more 'features' I forgot to mention in my previous review of the M-Audio 2626: First is the headphones.
As another reviewer noted, the output volume of these headphone jacks is surprisingly low. I have pretty good hearing, and I do not listen 'loud' when I use headphones. But these headphone monitors required me to turn up the dials to about '9' (out of 10) so as to get a full sound. We are not talking about a loud sound, just a full one. That means that there is almost no 'headroom' left over. Now, on this same topic of 'monitoring', here's another point: the M-Audio marketing literature talks about something like '8 stereo monitoring mixes', doesn't it? Here's the real scoop: there are 7 sends on each channel, and each send is in stereo, and then there's the main mix, so that effectively makes 8 stereo monitor mixes.
But then you must 'route' those mixes to real-life 1/4 inch hardware output jacks on the unit. Again, this must be done in stereo. The unit has 8 output jacks, but since each monitor mix must be in stereo, that means that you actually only have 4 PAIRS of monitor outputs. So, the bottom line is this: you can have 8 monitor mixes which exist INSIDE THE UNIT, but you can only get 4 of them OUTSIDE OF THE BOX at the same time. Of course you can switch which 4 will be heard, but you can only get 4, not 8. 'mabye' there's a way to route those additional 4 stereo monitor mixes into the LIGHT PIPE OUTPUTS, so that if you have some kind of light-pipe receiving unit which then has it's own 4 pairs of outputs. Then I guess you might be able to get 8 simultaneous stereo mixes.
But I don't know how to do that (I just made it up, really), and the manual said nothing of the sort. And again, note that (apparently) you can NOT have mono monitor mixes. If you could, then you would indeed be able to route your internal mix to the 8 separate 1/4 outputs. Also, please note: each of the outputs is a 1/4 inch balanced mono output; they are not unbalanced stereo outputs.
Now, having the ability to have 4 stereo monitor mixes simultaneously is very nice, still (even if it's not 8), but there is one more thing. You can not plug your headphones directly into those 1/4 inch balanced output jacks. That means that (assuming you are using headphones to do your monitoring), you'll need to feed each of the 4 pairs of outputs to its OWN headphone amplifier input channel, and then plug your actual headphones into that headphone amplifier channel.
So, you'll need to have that separate piece of equipment. Again, these are not end-of-the-world problems, but they warrant bringing up.
Comments about M-Audio ProFire 2626: I needed a firewire interface just like a ProjectMix but without the control surface. This product seemed to be it but wasn't. Headphone 1 is locked to line outs 1 and 2, headphone 2 is locked to line outs 3 and 4, so the mains should use 5 and 6. There goes all those extra line outs. Gain knobs on front only effect the Mic in, not line in.
XP drivers prevented XP from booting when interface was on. Drivers showed up as Multi when using WDM (probably ASIO too) instead of separate stereo pairs. This caused external insert problems with Sonar 8 and 8.5.
Even media player had problems with this sometimes (when the drivers didn't boot right). Get a ProjectMix IO and live with the control surface. Comments about M-Audio ProFire 2626: I own a small production studio that records backing music, voiceovers, and tracks bands. I bought the Profire 2626 on a suggestion from another user, and I was AMAZED! Best Service Galaxy X Download. It was easy to install, easy to start tracking, and the sound quality was better than many pieces of gear that cost more.
The routing matrix makes sending specific headphone mixes to different musicians a breeze. Yes, the matrix takes a few minutes to customize, but it is still tons easier than routing all the different signals manually. Also, you avoid adding cables into your signal path. The preamps were clean, and very neutral. A great feature is the ability to bypass the internal preamps by using trs inputs.
This one detail allows me to use any outboard gear without stacking sounds, and clipping. The profire 2626and Logic work so well together that others who have heard me recordings are returning their gear to buy one of these. I have heard complaints that the headphone outs aren't very loud, but I run headphone amps so this isn't a problem. There is no such thing as a 'be all, end all' of gear, but this piece is very versatile, clean, well built, reliable, and worth the money. Comments about M-Audio ProFire 2626: I bought this because I wanted to try Pro Tools M-Powered.
OK, this interface sounds great to me. Perhaps I'm not as discriminating as these pro-audio people here, but the sound really is excellent. OK, then, so why did I end up RETURNING it? Some other 'features' just bothered me too much. For starters, MIDI is very important to me. This box's 'break out cables' for MIDI are a terrible idea.
These cables connect to the unit via a computer-type 'D' jack. The cables are flimsy and have molded jacks on them. These cables are just crying out a warning: 'I'm going to break someday soon.' If you've seen the el-cheapo molded cables at Guitar Center. These are just like that. And *when* they break.
How will you ever replace them? They are totally 'custom' for this unit.
You'll lose your MIDI interface. Same with the S/P DIF cables.
(I can see WHY they had to have this breakout-cable-arrangement: they ran out of room to put everything.) Then, there's the front-panel trim knobs. As another reviewer correctly said, the volume is too low all the way up until the end of the dial, and then all of a sudden it peaks-out. So you back it off a tiny bit, and you're back to too-low-volume again.
And there's nothing you can do about it. Then, there's the balanced line inputs: I put a hot Korg synth signal into it, and turned up my synth output ALL THE WAY (and it is hot), but still, the meters were too low, and there was nothing more I could do about it. This unit does not have 'trim' knobs for the line-inputs. There is only one volume. The front panel knobs don't affect the line input level, and there is no switch for +4db/-10db either. But if you can live with these things, I will say that the sound was impressive!