Waldorf Largo 1 5 1 Keygenguru

Largo is the first pure software synthesizer with Waldorf DNA. Largo mirrors the technology used in Blofeld and Q hardware synthesizers. As with every Waldorf instrument, ergonomics are a core feature on screen as well.

Your eyes will be pleased with a clearly structured, graphical user interface that supports your workflow intuitively. Largo offers three fat oscillators, two of them with sub oscillators. These oscillators include models of classic analog waveforms as well as a selection of waves from the PPG and Waldorf Wave stored in two Wavetables. All these run through two Waldorf multi-mode filters with steep cut-off, resonance up to self-oscillation and a drive stage to add even more punch and graininess to the sound. Ultra-fast envelope generators and flexible LFOs as well as an easy to understand, yet extremely versatile modulation matrix make for a sound designer's dream.

Waldorf Largo VSTi 1.5.1 Incl Keygen – AiR 109 MB. Largo is the first pure software synthesizer with Waldorf DNA. Largo mirrors the technology used in Blofeld.

The filters have always been a core part of any Waldorf instrument. With outstanding expertise in both analog and digital synthesis, the developers took utmost care in developing the filters. Use the comb filters for plucked, stringed or blown sounds. Band pass, high pass, low pass and notch filters are all available with 12 dB and 24 dB slope. All of them sound extremely accurate and add pure sonic quality to the sound of your music. Largo contains a flexible arpeggiator with 16 freely programmable steps as known from the exclusive Q synthesizer line plus an array of high quality effects such as Chorus, Flanger, Phaser, Overdrive, Delay and Reverb. The clearly arranged user interface helps you to create your own powerful synthesizer sounds in a breeze.

Oscillators and filters are always in direct access while the sub-modules are only a mouse click away. It has the same exclusive voice architecture as the Q and Blofeld synthesizer line, fully integrated into the total recall system of your Digital Audio Workstation.

General Features: Up to 256 voices per instance (depending on available CPU power). Up to 4 layers per sound.

4 stereo outputs (alternatively 1 stereo sum). Host automation of almost all parameters. MIDI Controller automation of the most important parameters. New Sounds Largo V1.5 comes with almost 500 new sounds. Together with the sounds shipping with earlier versions of Largo, this sums up to a total of more than 700 sounds (we have counted 733 so far).

A lot of these new sounds take use of the new features of Largo. So, take a day off and carefully listen to the great library we ship with this update. Browse The most prominent feature of Largo V1.5 is its powerful Browse page.

It is divided in two parts. On the left is a File Browser showing the files and folders of your sound libraries on your hard disk, on the right is a table showing the content of the currently loaded bank.

You can drag and drop sounds between the File Browser and the Program Manager for loading and saving, rearrange sounds on disk or in the current bank, copy and paste, and much more. You can also drag and drop sounds from the file manager of your operating system (Windows Explorer or Macintosh Finder), or copy and paste selected sounds as a plain text list to a text editor for administrative work. Search for sounds in the File Browser or Program Manager by typing in part of the name or category and let Largo find the stuff for you. In the File Browser, the search result is presented as a list while in the Program Manager the matching sound are highlighted and the non-matching ones are darkened. Oscillator Section By popular demand, we have added three additional parameters per Oscillator to allow finer control over their behaviour: Startphase controls, as the name suggests, the phase with which the Oscillator starts. Set it to around 90. For a sharp attack, set all Oscillators to the same value to have them start in sync, or let the Oscillators run freely as they do in real analog synthesizers.

Brilliance controls different aspects depending on the Oscillator model used. On the Pulse and the Sawtooth waveform, it controls the mix of the discharge impulse of the capacitor, effectively resulting in a waveform with stronger high harmonics.

With Wavetables, it controls their interpolation smoothness from perfect interpolation to steps. Those steps create additional harmonics especially in the lower keyboard ranges as they happened in the good old PPG Wave and the Waldorf Microwave and Wave. Last but not least, the Limit parameter controls if the 'analog' waveforms found at the end of most Wavetables are included into Wave Modulations or if they are left out. This helps creating wavetable scans without always keeping an eye of not hitting those accidentally.

Arpeggiator The Arpeggiator now has the same power as the one found in Largos famous ancestors, the Waldorf Q, Micro Q and Blofeld. It offers various step types per step including fancy ones like Chord and Random. This means that you are not limited to either have an arpeggio or a chord repeater, you can have both depending on the step the arpeggiator is currently playing. And it now offers a separate Glide per step for your classic Bassline simulations. Chorus and other effects Largos new Chorus comes in three flavours. The one with two stages you already know from earlier versions, and now also with four and six stages to create lush pads and strings. Boldbeast Call Recorder Cracked Version.

Spread controls the behaviour of the four additional stages, when set to zero, all six stages run in sync with a fix offset creating the ensemble effect of old string machines. When set higher, the modulation is increasingly decorrelated to make the Chorus thicker and wider. But we didn't stop here. We've also added Feedback to make the Chorus effect even thicker. And together with the quite long delay time, you can now abuse the Chorus as an additional Comb filter (as if the Largo hadn't enough of them already). We are not stopping here.

Also by popular demand, we added the selection of Delay and Reverb to the first effect slot. So, you can now create sounds with a Delay and Reverb at once. Or use two Reverbs, one set to a small room and the other to a large hall.

Largo is the first pure software synthesizer with Waldorf DNA. Largo mirrors the technology used in Blofeld and Q hardware synthesizers. As with every Waldorf instrument, ergonomics are a core feature on screen as well. Your eyes will be pleased with a clearly structured, graphical user interface that supports your workflow intuitively. Largo offers three fat oscillators, two of them with sub oscillators.

These oscillators include models of classic analog waveforms as well as a selection of waves from the PPG and Waldorf Wave stored in two Wavetables. All these run through two Waldorf multi-mode filters with steep cut-off, resonance up to self-oscillation and a drive stage to add even more punch and graininess to the sound. Ultra-fast envelope generators and flexible LFOs as well as an easy to understand, yet extremely versatile modulation matrix make for a sound designer’s dream. The filters have always been a core part of any Waldorf instrument. With outstanding expertise in both analog and digital synthesis, the developers took utmost care in developing the filters. Use the comb filters for plucked, stringed or blown sounds. Band pass, high pass, low pass and notch filters are all available with 12 dB and 24 dB slope.

All of them sound extremely accurate and add pure sonic quality to the sound of your music. Largo contains a flexible arpeggiator with 16 freely programmable steps as known from the exclusive Q synthesizer line plus an array of high quality effects such as Chorus, Flanger, Phaser, Overdrive, Delay and Reverb. The clearly arranged user interface helps you to create your own powerful synthesizer sounds in a breeze. Oscillators and filters are always in direct access while the sub-modules are only a mouse click away. It has the same exclusive voice architecture as the Q and Blofeld synthesizer line, fully integrated into the total recall system of your Digital Audio Workstation. General Features: • Up to 256 voices per instance (depending on available CPU power).

• Up to 4 layers per sound. • 4 stereo outputs (alternatively 1 stereo sum). • Host automation of almost all parameters. • MIDI Controller automation of the most important parameters. Per Voice: • 5 Oscillators: • 3 Main Oscillators.

• 2 Sub Oscillators. • Virtual Analog Models: • Pulse with Pulse Width Modulation.

• Wavetables: • Q Alt 1 and Alt 2 Wavetable. • Frequency Modulation between Oscillators and Noise Generator. • Oscillator Synchronization. • Ring Modulator for Osc 1 / 2. • Noise Generator with Noise Colour. • 2 independent Multi Mode Filters: • Filter FM. • Resonance up to Self-Oscillation.

• Low Pass 24 dB / 12 dB. • Band Pass 24 dB / 12 dB. • High Pass 24 dB / 12 dB. • Notch 24 dB / 12 dB. • Comb Filter with positive / negative Feedback. • Sample&Hold (sample rate reduction).

• 2 Drive Stages per voice with adjustable Drive Gain and selectable Curves: • Clip. • Sine Shaper. • Modulation Matrix with 16 Slots, freely programmable. • Modulation Speed far into Audio Range. • Modulation Sources include all internal Modulation Sources plus various MIDI messages. • Modulation Destinations for almost all continuous sound parameters.

• Various pre-routed Modulation Destinations with selectable Sources: • Pitch Modulation. • Oscillator 1 / 2 / 3 Frequency Modulation. • Oscillator 1 / 2 / 3 Pulse Width Modulation. • Filter 1 / 2 Cutoff Modulation. • Filter 1 / 2 Frequency Modulation.

• Pan 1 / 2 Modulation. • Amp Modulation. • 4 Modifiers for transforming Modulation Sources with various Algorithms. • 3 fast LFOs: • Syncable to MIDI Clock. Download Free Software Beck-Ealing Interferometer Manual. • Note Retrigger with adjustable Start Phase.

• Monophonic LFO. • Freely drawable LFO waveform with 16 steps. • 4 fast Envelopes with selectable types: • Single Trigger / Retrigger per Envelope. • ADS1DS2R (2 Decay/Sustain stages plus adjustable Attack Level). • Loop S1S2 (Loop between Sustain 1 and 2). • Loop All (Loop over all stages).

• Poly, Mono, Dual or Unisono Mode with selectable Voice Count. Per Layer: • Powerful Arpeggiator • Hold and One Shot modes. • Syncable to MIDI Clock. • Direction Up, Down, Alternate. • Range up to 10 Octaves. • Various methods to modify Note Sort Order. • Freely programmable Arpeggiator Pattern with up to 16 Steps.

• Programmable per Step: • Accent. • Glide on/off. • Previous note. • Random note from Note List. • First and/or last note from Note List. • 2 Effect slots per layer.

• Effect Types: • Chorus. • Delay (2nd effect slot only). • Reverb (2nd effect slot only). For soundset check this.